While not a replacement for reading the UAD Users Manual, this article will look at several ways you can exploit UA’s EMT 140 plug-in, from basic setup and mix ideas to more adventurous, textural applications. This allows you to be far more exact in calculating predelay and other values than you could on the originals. It’ll also give you some definite advantages that the original units - including the three 140s from Sausalito, California’s The Plant upon which Universal Audio based their models - decidedly lacked. Universal Audio’s EMT® 140 Classic Plate Reverberator Plug-In is stunningly accurate to the legendary unit’s character and class, and it will allow you to wield its mighty sonics without putting your back out hefting the original’s 600-pound sheet metal plate enclosures. The company’s later all-digital EMT 250 Reverberator - the world’s first digital reverb - was still five years away from seeing the light of day. The EMT® 140 Plate Reverb, says legendary engineer Alan Parsons, was “virtually the only reverb we used on Pink Floyd’s Dark Side of the Moon.” As anyone who has ever donned a pair of headphones and settled into Dark Side’s glorious, astral ambiences can attest, it was a propitious decision to use Abbey Road’s EMT 140 on tracks like “Time” and “Eclipse.” Though really, in 1973, the EMT 140 - introduced only 15 years earlier by Wilhelm Franz and his team at Germany’s Elektro-Mess-Technik - was the only high-end reverb game in town. Über Händlersuche Downloads Blog Support Einloggen
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